The first match of the day was dominated by Mia Rogers, who made an early-season bid for inclusion in Sunrisers’ starting XI when regionals begin in four weeks time.
Shropshire had chosen to bat first after winning the toss, but Rogers’ sharp keeping allowed Berkshire to confine them to 88 for 7 in their 20 overs. Her contributions included whipping off the bails to assist in the run outs of Amy Griffiths and Alice Dixon, snaffling a skier sent up by Lauren Kenvyn (22) to break a 50-run partnership with Alexandra Hale, and two nifty stumpings to hand debutant Kali-Ann Doherty her first two wickets in senior county cricket.
Delighted to present 5 new Berkshire 1st XI caps this morning👏🏼
Opening in conjunction with another of the Berkshire debutants, Abigail Avery (27* off 39), Rogers started in measured fashion but grew in confidence as her innings progressed, eventually smashing Kenvyn for six over deep midwicket.
As Berkshire raced along to their total, the only question was whether Rogers would be able to reach her half-century before they ran out of runs needed. It was touch and go but finally, having got back on strike in the 13th over with just a single needed for victory, Rogers pulled confidently for four to finish on 50 not out (from just 35 balls), handing Berkshire a 10-wicket win.
In the second match of the day, with Berkshire batting first this time, Rogers initially picked up where she had left off, but smacked it straight to cover in the fifth over when on 13. Instead Berkshire captain Ashleigh Muttitt did the heavy lifting, driving hard down the ground en route to a run-a-ball 34.
Emily Perrin (3 for 18) dented Berkshire’s efforts as they lost three wickets in the 13th and 14th overs with the score on 83, but Freya Johnson successfully defended the hat-trick ball and Berkshire added 23 runs in the final five overs to finish on 116 for 6.
Shropshire made a go of it in the run chase, reaching 37 for 1 in the powerplay as captain Lara Jones (24 off 27) gave off-spinner Hollie Summerfield some punishment.
But Jones was caught pulling Ava Lee to backward square leg in the 9th and Summerfield had the last laugh with a tidy spell at the death that strangled any last hopes of Shropshire getting across the line. Amanda “Steamer” Potgeiter helped things along with a direct-hit run out from mid-on to see off Hale for 0.
In a dramatic final over, with Shropshire needing an improbable 27 for the win, Freya Johnson finished things off in a style for the Beavers by taking four wickets – three of them bowled – as Shropshire were all out for 94 off the final ball of the match.
Shropshire made more of a go of it in the second game, chasing Berkshire’s 116-6.
But they were bowled out off the final ball for 94. Freya Johnson finished with 4-16 – all taken in the final over!
Alex Blackwell’s new book, Fair Game, is not your standard cricket autobiography. Yes, it tells the story of her journey in cricket – from growing up playing in the backyard of her grandparents’ place in Wagga Wagga, to breaking through into the New South Wales team while at university, to her Australian debut in 2003 against England under the great Belinda Clark, to winning multiple World Cups, captaining Australia to glory at the 2010 World Twenty20, and taking home the inaugural WBBL title in 2015/16. It’s also a first-hand insight into the ways in which professionalism transformed the lives of a generation of players overnight. But the most important contribution which this book makes is to lay bare the ways in which cricket has excluded and continues to exclude those who don’t quite fit the mould.
Blackwell is one such player. An outspoken advocate for increased diversity and equity in cricket, she made history in 2013 as the first international female cricketer ever to publicly come out. Here, it is made clear how much she agonised about that decision – unsurprising when she describes the constant background of casual homophobic remarks which went on, including from Cricket Australia employees and sponsors. “I was not viewed by Cricket Australia to be a good role model for young girls,” she writes. This kind of casualised homophobia did not come as a surprise to me – it is rife within English cricket, too, as my book Ladies and Lords shows – but it is still shocking to read about some of Blackwell’s experiences, and the way in which her experiences in cricket caused deep internal shame about her sexuality, which endured for years.
Relatedly, Blackwell emphasises how CA favoured a particular “image” for female cricketers, which forced gay players permanently into the closet but was equally damaging for non-gay women who did not conform to the favoured “type”. One of the most revealing lines in the book is when Blackwell relays how during her early years playing for Australia, she and her sister Kate toyed with the idea of growing their hair long, in order to market themselves as “the golden twins”. Another damning anecdote relates to the three women chosen by CA in 2013 to receive their first ever “marketing contracts”: Ellyse Perry, Meg Lanning and Holly Ferling – all blonde, attractive and heterosexual. You would have to be blind not to have realised that this was going on – just look at which players were most visible in the marketing of the first WBBL – but Blackwell’s book lays bare the horrendous practice (which, if we’re honest, is still prevalent) of pushing forward players on the basis of their physical attractiveness rather than their cricketing abilities.
Why was Blackwell never chosen to captain Australia on a permanent basis? A convincing public explanation has never been given as to why she was passed over in favour of Lanning in 2014 – a player with no captaincy experience at any level of cricket – nor why Rachael Haynes (then not even an automatic pick in the XI) was handed the reins during the 2017 World Cup, when Lanning was sidelined with a shoulder injury. Blackwell says that she has never been given a reason, other than being told: “Meg had all the attributes they wanted in a captain and I didn’t”. She stops short of saying that those attributes included being heterosexual and taciturn, but it doesn’t take a rocket scientist to connect the dots.
The irony of all this is that CA’s treatment of Blackwell may well have ultimately cost Australia their chance of winning the 2016 and 2017 World Cups. Blackwell’s most damning critique of an individual comes in the chapters which deal with these two tournaments, in which she describes how Australia’s coach Matthew Mott stuck to a limited, basic tactical approach – “bowl at the stumps” – leaving the players without any Plan B in the 2016 WT20 final against Hayley Matthews and Stafanie Taylor, and more famously against Harmanpreet Kaur at Derby in the 2017 semi-final. Blackwell relays how, as vice-captain, she continually tried to raise concerns; but others simply parroted the party line. It’s a brilliant example of why diversity is needed within organisations: somebody needs to tell you the thing you don’t want to hear, or it becomes all about group-think.
Meanwhile, Blackwell’s alternative views about tactics were “shut down” and she was publicly criticised by Mott in meetings, to the extent that she was left in tears. “That tournament was one of the toughest periods of my cricket career,” Blackwell writes. “Throughout every day of it I felt undervalued and insignificant.” It’s rare to read anything critical of Mott, but this is one of the worst examples of player mismanagement I’ve ever come across. Let’s hope things have changed behind the scenes since then.
It’s rare that we get this kind of book in women’s cricket – an honest, wide-ranging critique – and Blackwell should be awarded for her bravery in writing it (credit too to Megan Maurice, who has done a brilliant job of making this book very readable). The timing is perhaps explained by Blackwell’s recent decision to draw a line under her involvement in elite cricket in Australia:
“Maybe I would feel more inclined to keep holding on and continue volunteering in cricket if I was confident that we were setting a high standard and being bold with our ambitions around female representation, inclusion strategies and the environment. Instead I still feel like raising these issues makes a lot of people uncomfortable.”
This is worrying not just as an indictment of the current culture of cricket in Australia. Part of the problem has always been that those IN the game right now don’t feel they can be open about the ways in which things are going wrong – there is a culture of secrecy, whereby those on the inside close ranks.
It’s important that we remember that this isn’t a book about a dark and distant past – as Blackwell writes, “there are still some barriers to inclusion and equal opportunity that remain unconquered”. Her book is a great first step to exposing some of those issues. The next step is for those within CA (and the ECB, and the other boards around the world) to listen, acknowledge, and act as a result – but will they? That would be the best legacy of this brave and revealing book.
Australia stomped all over England at the Junction Oval in Melbourne on Sunday, winning the match with 88 balls to spare after bowling England out for 129 in 45.2 overs.
England had talked up the remaining two matches of the Ashes with the suggestion that their aim was to repeat their 2017/18 comeback, and draw the series on points. Perhaps it was for that reason that they chose to stick with an almost-identical XI to the first ODI (Katherine Brunt was rested with a “niggle”), refusing to hand match-practice to Lauren Bell or Freya Davies ahead of the World Cup, or tinker with their batting line-up. It seems pretty certain that England will be sticking with Lauren Winfield-Hill at the top of the order for the World Cup, come what may.
It’s the 2nd ODI tonight, and with the #Ashes already gone, what will England do? Opportunity to rest Shrubsole and Brunt and play Bell and Davies; and to bring in Lamb to open the batting with Beaumont. We’ll see…
England reached 40 for 1 after 10 overs but it was downhill from there, as Ellyse Perry (3 for 12) pulled out the kind of disciplined bowling performance which leaves England fans waking up in a cold sweat with flashbacks of July 2019. There were two phenomenal catches from Australia – Alyssa Healy diving to her right behind the stumps to see off Tammy Beaumont, before Meg Lanning topped it with a screamer taken full-stretch to HER right at first slip.
They fought hard with the ball – Kate Cross once again dispelling the bizarrely persistent claims that she is a “red ball specialist” with a brilliant couple of spells – but as so often in this series, the bowlers couldn’t make up for the fact that the batters let England down – badly.
Watching the top-order today, you’d be hard-pressed to find any evidence of England’s pre-series “fighting fire with fire” strategy. Too often, they got stuck in the crease when they needed to be attacking the ball – five wickets fell LBW. England also, once again, used their DRS reviews poorly. Sophia Dunkley’s reluctance to make the “T” signal told a thousand stories; she really should have stood up to Amy Jones, who appeared to have talked her into the review. It probably didn’t make much difference in the end today – although Cross could have saved herself, with replays showing the LBW decision against her was actually missing leg-stump – but on another occasion (a World Cup semi-final, say) it could be crucial. England get far more practice with DRS than most other sides in the world, and need to get better at using it to their advantage.
So… what next? There are obvious parallels with the misery of the Canterbury ODI in July 2019, when Perry ran through England’s batters, finishing with 7 for 22, and effectively sealed England’s fate in the series. The media were unforgiving; and when England coach Mark Robinson was hastily dispatched at the end of the series, it seemed the blame for the humiliation of Canterbury was being laid square on his shoulders.
I think, ultimately, this defeat won’t “land” in quite the same way that one did. For one, England had already surrendered the Ashes this time around. For another, the fact that their World Cup defence will commence in a matter of weeks means that there is another immediate goal to focus on. There is no sense in beginning any post-mortems at this point.
But… that could simply be delaying the inevitable. Because if England play like they did today in New Zealand next month, their title is going to slip away quicker than you can say “Ellyse Perry”; and if there is one thing worse than losing the Ashes to Australia, it is losing the Ashes AND a World Cup crown to Australia in the space of two months.
Well, it’s a fair cop. I called it wrong yesterday.
Not a snowball’s chance in hell that Meg Lanning will declare and set England a fourth innings target. If England want to win, they’re gonna have to bowl Australia out cheaply. #Ashes
In fact, the eventual declaration from Lanning set up the most exciting session of Test cricket I’ve ever seen “live” (edging aside TOG’s* Edgbaston 2005). In fact, it’s surely got to go down as one of the most exciting sessions there has EVER been in women’s cricket. There’s a certain amount of irony that all the talk before this Test was about the problematic lack of results in recent women’s Test matches; yet this one showed us how breathtaking a draw can actually be.
Initially, all the talk was that Lanning’s “carrot” – asking England to chase 257 in 48 overs at a RRR of 5.35 – was of microscopic size. But as England gradually ate away at the target, the tone of the commentary shifted. Could England actually do this? With 8 wickets in hand, needing 104 runs going into the final hour of play and with Nat Sciver and Heather Knight both set, Australia looked distinctly nervous… and Syd and I dared to hope.
Lanning freely admitted in the post-match presser that her early plan was the wrong one: “We were too wide and full with our bowling early on.” So they changed tack – or, as Lanning described it, “flipped our thinking” – and began to attack the stumps. After Sciver pulled Annabel Sutherland to square leg with 39 runs still needed, it quickly unravelled for England… until finally the roles reversed, and English supporters everywhere were breathing a sigh of relief that Kate Cross had managed to cling on for the draw. The whole session is a good example of the way in which Lanning’s captaincy has evolved since that World Cup semi-final in 2017, when Australia’s bowlers were Harmanpreet-ed and there was, seemingly, no Plan B.
It seems to me that the result in this Test is unlikely to have any eventual bearing on the Ashes series as a whole. England won’t now win all of the three ODIs, but even if they HAD won today, my money would still have been on Australia to come good and win two of the three 50-over matches, thus retaining the Ashes anyway.
Nonetheless, I’d argue that the result is still potentially very significant, for two reasons.
One, it will have dealt a severe psychological blow to England’s confidence. You have to feel for Heather Knight. She could hardly have given more, and she must be utterly shattered right now, after spending almost the entire four days of the Test on the field. Sciver also looked desperately disappointed during the post-match, admitting: “I feel more sad [at not winning] than I do happy [at not losing] at the minute.” In a few weeks time, England are facing a period of strict isolation in quarantine in New Zealand, followed by attempting to defend their World Cup title. It’s important to move on from this “defeat” (yes I know it was a draw, but it will feel like a loss) as quickly as possible.
Two, and more importantly, is what this match will have done for the future of the Test format as a whole. It may not be fair, but it is certainly true that whenever a (rare) women’s Test is played, the players are tasked with making the case that women’s Test cricket remains relevant and exciting. In recent times, we’ve witnessed the Taunton Test in 2019 labelled “the most boring game imaginable” by journalists, while prior to that, England’s final-day collapse at Canterbury in 2015 led The Guardian’s then-cricket correspondent to call for women’s Test cricket to be abolished altogether. Compare that with this tweet today from The Telegraph’s Scyld Berry:
Seldom have I enjoyed a session more than the last couple of hours of the Aus v Eng Women's Test in Canberra.
There have been other exciting women’s Tests – Perth 2014; Hyderabad 1995; the list goes on – but the important point is that none of them were ever televised. I’d love to see viewing figures for the last two sessions of this match! It seems to me that its denouement will have done more in four hours to convince the administrators we should have more women’s Test cricket, than I have in four (+++) years of banging the drum. England will be hurting right now, but once the dust has settled, that is certainly something to celebrate.
Kudos to Lanning and Knight for their respective roles in setting it up.
This might be controversial, but I’ll call it as I see it: already, at the end of Day One, England are in a position where it will be almost impossible for them to win this Test.
At the toss, we finally got a glimpse of Heather Knight and Lisa Keightley’s Masterplan: bowl first, chuck in your most experienced quick bowlers (Katherine Brunt, Anya Shrubsole and Kate Cross), and hope for the best. With Brunt and, in particular, Shrubsole moving it around up top, it looked like it might just have been a genius move: Australia were 4 for 2 before I’d had time to boil the kettle.
When Ellyse Perry miscued a Nat Sciver bouncer to Amy Jones, who took an excellent running, diving catch (to add to her two smart grabs behind the stumps to see off Alyssa Healy and Beth Mooney), England were ecstatic.
But their celebrations proved to be premature, especially in the face of Australia’s insanely long batting line-up. Slowly, that early momentum slipped through England’s fingers – literally slipped through them, in the case of Knight and Sciver, who between them cost England 121 runs after they put down Meg Lanning and Rachael Haynes at first and second slip respectively. Australia finished the day on 327 for 7. As Syd pointed out on Twitter, no one has ever won a women’s Test where the other team have scored over 300 on first innings.
England battling history as well as the Aussies now – 82% of women's Tests where the team batting first has scored 300+ have ended in a draw; and all the others have ended in a win for the team batting first.
So was England’s strategy the wrong one? Selection-wise, it’s hard to know if Lauren Bell would have outbowled Brunt, Shrubsole or Cross – although I would have liked to have seen her given the chance. But I am a bit baffled by the decision to bowl first.
This isn’t just about “the benefit of hindsight”. I’ve long argued that it’s extremely difficult to win a four-day women’s Test if you don’t bat first, and today’s events are merely a case in point. After two sessions, during which Australia scored 199 runs and lost just 3 wickets, England’s window of opportunity to control the game had all-but-closed. If they’d opted to bat, that window would (bar a horrendous collapse) have lasted a lot longer – they could have forced the pace when they chose; dug in if they’d lost a few quick wickets; and assuming they’d batted out the day, it would have been in their hands whether they came back out to bat again tomorrow.
Instead, all those decisions – including whether England’s tired bowlers have to come back out and do it all again on Day Two – are now in Lanning’s hands.
The decision to bowl first is even odder given that all the “noise” coming out of the England camp before the Test was about how challenging it is to take wickets in women’s Tests – variously blamed on pitches that are too long, batter-friendly wickets, and / or the inability to use a Dukes ball.
And so we face the first test of Australia’s own “going for the win” approach: how long will they keep batting? The truly aggressive move would, frankly, have been to have declared half an hour before the close once they’d reached 300, and given England a horrible period to negotiate. But given that they didn’t do that, they surely now have to declare overnight? 327 runs is already a VERY formidable first-innings total in the context of women’s Test cricket, and with the forecast as it is, declaring now is the only way to guarantee that they will have the time to take 20 English wickets. Plus, the pressure will all be on England, who have a big runs-deficit to overhaul before they can even think about doing anything else. (See what I mean about no longer dictating the game?)
Australia have talked a good talk over the last three Tests they’ve played about wanting to avoid yet another draw. Now’s the time for them to walk the walk as well… the question is, will they?
In a bizarre move, Cricket Australia are set to announce a squad for the forthcoming Women’s Ashes series which does not include Amanda-Jade Wellington, despite the leg-spinner finishing as the leading wicket-taker in the 2021/22 WBBL.
According to reports in Sydney’s Daily Telegraph, Wellington has been edged out by Alana King, who has received her premier call-up to the national side. She will be included in the Australia A side which will be in action against the England A side during the main Ashes series, but there is unlikely to be a chance of “promotion” to the main side as the two squads are being kept separate for Covid biosecurity purposes.
Wellington last played for Australia in 2018 and since then has been consistently and inexplicably snubbed by the Australian selectors, despite consistently being a top performer in domestic and franchise cricket. She was the top-ranked bowler in our Women’s Hundred rankings and a key factor in Southern Brave’s progression to the final.
Other notable inclusions in the squad, which will be announced officially tomorrow, are Adelaide Strikers captain Tahlia McGrath, who enjoyed success in Australia’s recent series against India, and teenage pacer Darcie Brown.
Countries who wish to take part in the Qualifying Tournament for the 2022 Commonwealth Games will be required to pay their own hotel and travel costs, CRICKETher understands.
The Qualifier, which is due to take place in Malaysia in January 2022, will decide who takes the final, eighth spot in the women’s cricket event at the Commonwealth Games in Birmingham in July, alongside hosts England and the six highest ranked T20 sides – Australia, India, Pakistan, New Zealand, South Africa and Barbados (representing West Indies).
All Commonwealth countries featuring in the current global T20 rankings were invited by the ICC to participate in the Qualifier. Scotland have already confirmed their participation, alongside hosts Malaysia, but with a substantial travel and accommodation price tag now attached to participation it looks less and less likely that other teams will be able to join them.
Northern Ireland have already confirmed that they will not be participating, due to the fact that the majority of players in the Ireland national team originate from the Republic of Ireland, rendering them ineligible according to current CWG criteria.
With the new Omicron variant wreaking havoc with global travel (and leading to the abandonment of the ICC Women’s World Cup Qualifiers in November), there is also a risk that any qualifier may be derailed and teams hit with a possible quarantine bill on return home. This may well serve to deter other possible entrants.
For Scotland, this set of circumstances represents a real opportunity to qualify for participation in the Commonwealth Games – an exciting prospect for a team who have never yet featured in a World Cup tournament.
But for other countries, the reluctance of the ICC to provide adequate resources to facilitate participation in the Qualifying Tournament will be a severe blow. The ICC have previously labelled the CWG “a huge opportunity to turbo-charge the growth of the game”; unfortunately, it appears that this “turbo-charging” does not extend to countries outside of the elite few.
The news yesterday that Tash Farrant has regained her England contract after nearly three years in the wilderness was accompanied by a statement from Kent CCC which confirms that senior women’s county cricket is set to continue.
Kent Women’s coach Dave Hathrill was quoted as saying: “[Farrant] is a leading figure for Kent Women and we’re looking forward to seeing her progress further whilst also wearing the White Horse.”
Other counties have also made it public that they are continuing with their women’s winter training programmes – including Middlesex.
🏃♀️ | WINTER TRAINING The women's and girl's programmes are up and running for the winter.
Play Cricket now contains a page showing County T20 groupings for the 2022 season, with groups once again formed on a regional basis. CRICKETher also understands that the ECB have issued a fixture calendar to the counties, showing four dates for a Women’s County T20 competition at the start of the season in April / May (though this has not yet been released publicly).
Interestingly, yesterday’s Kent press release suggests that they expect England players (including Farrant) to be made available to play for their counties in the 2022 season and beyond – thus answering a question we raised in a recent episode of The CRICKETher Weekly.
So it seems that – while the ECB are apparently reluctant to shout about their U-turn – women’s county cricket lives to see another day!
Almost three years after she was discarded by England, Tash Farrant has regained her central contract.
Farrant was recalled to the England squad by coach Lisa Keightley for the tour of New Zealand earlier this year, and was selected in all of the England squads this summer, so this is no surprise. Her left-arm seam will be seen as a key point of difference ahead of the forthcoming Women’s Ashes, as well as England’s World Cup title defence in New Zealand in 2022.
It’s unclear what this might mean for the future of fellow left-arm seamer Katie George, who has not played an international since July 2018.
On the other hand, Farrant’s re-elevation to the England team will offer hope that there is a “way back” for formerly contracted players such as Alex Hartley and Beth Langston, thanks to the new regional deals on offer.
Interestingly, it was coach Mark Robinson who originally identified the need for such a system when he dropped Farrant from his squad – telling CRICKETher:
“For Beth [Langston] and Tash their decision now is: do I play KSL and county cricket, then the year after, when hopefully semi-professionalism comes in, they do that; or do they go on to a different career? [But] Tash might re-invent herself – she could be a major player.”
It is a statement that has proved prescient – Farrant did indeed begin a new career, spending a year as head of girls’ cricket at Trent College in Nottingham – but she found a way back via a South East Stars pro contract awarded in October 2020.
Meanwhile, South East Stars will be identifying a sixth player to progress to a professional contract, taking the total number of female “professionals” in England to 68. (The status of Fran Wilson, who announced her retirement from international cricket last month, remains unclear.)
Lightning are seeking a replacement for Head Coach Rob Taylor, after the former Scotland and Leicestershire batter agreed to part ways with the region at the end of the 2021 season.
A job advert, placed on 13 October, confirms that Lightning are currently recruiting for the position, with interviews to take place on 22 November and the successful candidate to start in January.
Taylor was appointed Coach of Lightning in August 2020, having previously held the position of Head Coach of Loughborough Lightning in the Kia Super League. Under his leadership, Lightning twice reached Finals Day in the KSL.
However, since the new regional structure was put in place last year, he has struggled to replicate that success. Lightning finished in joint 4th place in the 2021 Rachael Heyhoe Flint Trophy, winning just 3 of their 7 matches, while in the Charlotte Edwards Cup they were bottom of the pile, losing all 6 of their games.
It seems the region are now looking in a new direction in the hope of improving on that performance next season.